In this unique take on British history, Professor Alice Roberts explores Britain’s rich and varied past through the stories of individual towns and cities. In each programme Alice studies one key period in history by delving into the secrets of a historic town that encapsulates the era, providing an accurate impression of what life was really like at key moments in our turbulent past. At the climax of each programme, cutting-edge CGI reveals the entire historic town in all its former glory.
A young Victoria “Vic” McQueen discovers she has the power to unlock portals that help her find lost objects. As she delves further into this hidden universe, she encounters many other “inscape travelers” – some benevolent, and some who have been corrupted by their power. When Vic encounters Charlie Manx, an immortal who stays that way by feeding off of the souls of children, she makes a sworn enemy of Manx.
James, a disgraced firefighter turned grifter, seizes a chance, illicit opportunity to reverse his life’s worsening course as he attempts to prey upon Pastor Byron Brown, who turns out to be far more dangerous than he appears.
Our lady sleuth sashays through the back lanes and jazz clubs of late 1920’s Melbourne, fighting injustice with her pearl handled pistol and her dagger sharp wit. Leaving a trail of admirers in her wake, our thoroughly modern heroine makes sure she enjoys every moment of her lucky life. Based on author Kerry Greenwood’s Phryne Fisher Murder Mystery novels.
MonsterVision is an American variety series that aired on TNT from March 1, 1993 to September 2000. The series was hosted by Joe Bob Briggs from 1995 to 2000, and featured classic B and cult films from the 1960s, 1970s, and 1980s.
Penn and Teller guest-hosted MonsterVision marathons before Briggs came on board as the full-time host. Late in its run, the show changed formats, discarded “Last Call,” and became Joe Bob’s Hollywood Saturday Night and Monstervision.
CDC researcher Abby Arcane investigates what seems to be a deadly swamp-born virus in a small town in Louisiana but she soon discovers that the swamp holds mystical and terrifying secrets. When unexplainable and chilling horrors emerge from the murky marsh, no one is safe.
Drew and Jonathan Scott are on a mission to help couples transform their houses into forever homes where they can put down roots and happily spend their lives. But before that can happen, they need Drew and Jonathan to unlock the full potential of their house and renovate it into the home of their dreams.
A spotlight on ambitious plans that cities are undertaking to transform their skylines with massive skyscrapers.
Songwriters compete for a chance to have their work selected by a major recording artist.
In 2019 the world is on the brink of an apocalypse as humanity prepares for a final judgment. But follies ensue — Aziraphale, a somewhat fussy angel, and Crowley, a demon aren’t enthusiastic about the end of the world, and can’t seem to find the Antichrist.
The Story of Film: An Odyssey is a documentary series about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.
The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012. It was broadcast in the United States on Turner Classic Movies beginning in September 2013.
The Telegraph headlined the series’ initial broadcast in September 2011 as the “cinematic event of the year”, describing it as “visually ensnaring and intellectually lithe, it’s at once a love letter to cinema, an unmissable masterclass, and a radical rewriting of movie history.” An Irish Times writer called the program a “landmark”.
In February 2012, A. O. Scott of The New York Times contrasted the project with its “important precursor”, Jean-Luc Godard’s Histoire du cinéma. In contrast to the Godard project, which Scott called “personal, polemical and sometimes cryptic”, Scott described Cousins’ film as “a semester-long film studies survey course compressed into 15 brisk, sometimes contentious hours” that “stands as an invigorated compendium of conventional wisdom.” He also commended its “refusal to be nostalgic”.
Ironside is a Universal television series that ran on NBC from September 14, 1967 to January 16, 1975. The show starred Raymond Burr as a paraplegic Chief of Detectives, Robert T. Ironside. The character debuted on March 28, 1967 in a TV movie. When broadcast in the United Kingdom the show was initially titled A Man Called Ironside. The show earned Burr six Emmy and two Golden Globe nominations.
A new television series having the same name, Ironside is currently under development and is scheduled to debut on October 2, 2013.
Go behind the scenes at the largest aquarium in the Western Hemisphere – Atlanta’s Georgia Aquarium.
The Wrestlers is an exploration of the wrestling world’s underground. Traveling from First Nations communities in rural Manitoba to Mexico’s Lucha Libre scene in Juarez, the series sees Damian Abraham exploring the personalities involved in the sport of pro wrestling.
Cassie Bishop was born with a gift, though she may call it a curse. She can see and communicate with the dead, helping them with their unresolved problems … whether she likes it or not. When her longtime friend Det. Tom Hackett and his new partner, former FBI Agent Damien Asante, need help solving a darkly puzzling murder, Cassie agrees to use her abilities.
The rivalries, romances, hopes and fears of the residents of the fictional Midwestern metropolis, Genoa City. The lives and loves of a wide variety of characters mingle through the generations, dominated by the Newman, Abbott, Baldwin and Winters families.
La Femme Nikita was a Canadian action/drama television series based on the French film Nikita by Luc Besson. The series was co-produced by Jay Firestone of Fireworks Entertainment and Warner Bros.. It was adapted for television by Joel Surnow. The series was first telecast in North America on the USA Network cable channel on January 13, 1997, and ran for five television seasons—until March 2001. The series was also aired in Canada on the over-the-air CTV Television Network. La Femme Nikita was the highest-rated drama on American basic cable during its first two seasons. It was also distributed in some other countries, and it continues to have a strong cult following.
Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.
The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, “I thought it would be interesting to show people that side of the business”. He did not want to present them in a “sensationalized way [that] they’re presented in the press, but as normal people”. The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.