During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.
While working in the US on a temporary visa as a caretaker, Mara, a 30 year-old single mother from Romania, marries Daniel, an American. After the arrival of her son Dragos, everything seems to have fallen perfectly into place. When the process of getting a green card veers unexpectedly off course, however, Mara is faced with abuses of power on every level and forced to answer a dark question about herself – how far would you go to get what you want?
Dreaming of the West, Boryana is determined not to have a child in communist Bulgaria. Nonetheless, her daughter Viktoria enters the world in 1979, curiously missing a belly button, and is declared the country’s Baby of the Decade. Pampered by her mother state until the age of nine, Viktoria’s decade of notoriety comes crashing down with the rest of European communism. But can political collapse and the hardship of new times finally bring Viktoria and her reluctant mother closer together
Commander Steve Rogers crash-lands on a planet inhabited solely by women. All of the men were killed in a mining accident some twenty years before. The town where he wakes up is straight out of the old West. Both the sheriff and the mayor of the town take an immediate liking to Steve and each tries to claim him for themselves. The local bar maid is also interested but not quite as pushy as the first two. It looks like our man Steve may be trapped on a planet of beautiful women. But as usual in these things, you need to be careful what you wish for since you might get it…
Bucharest, 2009. Twenty years after Romanian Revolution, Tavi Ionescu, a nice but quite immature guy for his late 30’s finds out from his Securitate (Romanian Secret Police) file that he could be the father of a son he didn’t know about. Starting his own secret investigation, Tavi is caught by a complicated past that now comes to reveal ugly hidden truths, messing up his life and the life’s of the ones close to him. For the first time in his life, Tavi is forced to take really mature decisions.
Paranoid computer programmer Simon wakes up to find a package in his room one day. Despite attempts at securing his apartment, the packages keep arriving. While cameras watch Simon’s every move, he struggles to find the answers to the mysterious forces taking over his life.
An unpredictable comedy set in modern-day Romania, Ghinionistul follows a down on his luck protagonist who tries to be in time for an audition but obstacle after obstacle gets in his way.
“Made In Romania” is the story of a producer who is given the chance to realize his dream project; to film an adaptation of an obscure, beautifully written Victorian novel, “The Tides of Reason”. Disillusioned after years of making low budget genre films, the producer readily accepts the demands of his less than legitimate financiers. Namely, the production be filmed entirely in Romania to take advantage of a complicated and slightly suspicious tax deal. Shot in documentary style, this behind-the-scenes comedy deftly and inexorably exposes the painful reality of runaway film production. Way off the radar in deepest, darkest, rural Romania the hopelessly disconnected production veers swiftly off the tracks as bizarre personalities, cultural, economic and language issues quickly combine to send the production spiraling into hysteria. Written by Neil Monaghan
A teenager prisoner awaits his release when two weeks before that happens he’s told that his mother is returned home. Meanwhile, he finds himself in love with a Sociology student, Ana, working in the penitentiary as an intern.
In a world where any teenager can film with his own mobile phone and post all kinds of things on the Internet, Laura, an 18-year-old girl, spends a night in a club with her friend Mira.
When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.
One worker in a bankrupt factory finds an unusual solution to save his co-workers from unemployment. If it doesn’t work the factory will be privatized and sold to a French company planning to convert the plant into a snail cannery. Only 300 of the 3000 workers will keep their jobs.
Heather Graham and James Purefoy play a couple who desperately want to have a baby. Unfortunately, she has been diagnosed as infertile, and the couple can’t afford the medical treatments that might allow her to conceive. Good fortune appears to be smiling on the couple when they are given an opportunity to receive free treatments at a mysterious fertility clinic.
After a car accident and stranded in the middle of nowhere, an ex-con and his daughter find themselves in an abandoned hotel, populated by sub-human cannibalistic creatures.
A grieving upper class woman becomes a “Lady Visitor” at Millbank prison, hoping to escape her troubles and be a guiding figure in the lives of the female prisoners. Of all her friendships with prisoners, she is most fascinated by Selina – a medium.
Two young men are sent to a labour camp when they try to escape Romania.
In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
Georgiana Halmac is turning 15 this winter, but she has no time for teenage dreams when her mother, who’s on unemployment, moves to Torino to find work. Georgiana is left in charge of her six siblings in a social housing condo on the outskirts of Bacau, Romania. Caught between adolescence and the responsibilities of adulthood, Georgiana does the best she can, improvising with parenting advice from the television and the occasional phone call with her mother. As she handles her own issues and high-school dramas, Georgiana must also deal with admonishing neighbours who threaten to turn the whole family into social services. With incredible calm and stoicism, Georgiana amazes as she holds everything together in an ingenious and delicate balance.
GameLoading Rise of the Indies is a feature documentary exploring the world of indie game developers, their craft, their games, their dreams, and how they have forever changed the landscape of games culture.
A documentary about the Jewish people in Romania and their several migrations towards Israel, across history and changing political frames – everything presented in a self-proclaimed dadaist style.
3 men from a provincial town who are in an urgent need for money so they decide to buy a lottery ticket. They win the lottery, but very soon, the ticket gets stolen.
The colourfully named gold prospector Hermann Kermit Warm is being pursued across 1,000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters. Except Eli is having a personal crisis and beginning to doubt the longevity of his chosen career. And Hermann might have a better offer.
Hawaii is a directed by Jesús del Cerro and scripted by Jesús del Cerro, Manuel Feijóo, Beatriz G. Cruz and Ruxandra Ghitescu.
Set during World War II, somewhere in Eastern Europe. A German soldier is found dead near the village. The local authorities must find the culprit, or they will be all shot by the Nazis the morning after. There’s no way to find the guilty one, but there’s Ipu, the madman of the village, whom they promise a hero’s funeral if he will claims responsibility and agrees to die in their place. He must decide, and time is running out.
n the history of Romanian cinema, Sergiu Nicolaescu’s name stands for “prolific, highly commercial and professional”. At the age of 80, the director launched his latest production, which is also his second comedy in a long row of action and historic films. “Poker” is a cinema adaptation of Adrian Lustig’s theatre play with the same name, and focuses on four male friends, representatives for the social canvas: a doctor without a moral conscience, an unscrupulous politician, a chief of the local mafia, and a businessman who made a fortune in America. Made by MediaPro Pictures, ‘Poker’ looks at immorality and intrigues in politics, hinting at the fact that contemporary Romania is a day to day jungle where strings are pulled by those in power, so everything turns into a poker round, where those who have the right aces in their sleeve can win.